(Interleaved Stereo is not available under the MOTU Audio System.) These formats, as well as the other additional Core Audio formats shown in the menu, are supplied by Mac OS X.Īdditional options for Standard Format (SD II)Ĭhannels: Your five choices here are Mono (no attenuation), Mono (with 3.5 dB attenuation), Split Stereo (two mono files), Interleaved Stereo and Split Multi-Channel. If you would like to bounce down to a stereo interleaved Sound Designer II file, choose Core Audio Export: Sound Designer II. For example, if you wish to bounce down to a stereo interleaved AIFF file, choose Core Audio Export: AIFF. Once youve made the preparations already discussed, selected the tracks you wish to bounce, and chosen the Bounce to Disk command from the Audio menu, the Bounce to Disk dialog appears with the following options.įormat: You can bounce directly to variety of interleaved stereo file formats - or to a QuickTime movie. But if you do, be aware that the Play Selection command ignores the current mute and solo settings of the selected tracks, so only select the tracks you actually want to play. You can also use the Play Selection command in the Region menu to preview the bounce command. To preview the results of the bounce, solo the tracks you wish to include in the bounce and play back the sequence. Basically, what you hear when you play the sequence back is what you will get in the resulting mixdown. The results of the bounce will sound exactly the same as what you selected, including volume/pan automation, mute/solo settings, real time MOTU Audio system effects, EQ and any other real time effects that are applied to the selected tracks. So be sure to assign all the tracks (and sends) you wish to include in the bounce to the same output pair or bus pair before bouncing.Īfter making the necessary output settings (if needed), bouncing to disk is a simple two step process: select any portion of one or more audio tracks and then choose Bounce to Disk from the Audio menu. The Bounce operation will include everything being routed to the output pair or bus pair you choose, including sends that are bussed in from tracks assigned to other outputs. You can bounce as many times as you like without introducing any artifacts as a result of bouncing.Īll of the tracks you wish to combine in the bounce operation must be assigned to the same output or bus pair. And since bouncing occurs in the digital realm, no noise or sonic degradation is introduced. Bouncing is also a great way to create a single, contiguous sound file out of a track composed of many smaller ones. It is especially useful for creating a final mix of a project for mastering to CD or exporting to a QuickTime movie or video authoring applications. It can also bounce your audio tracks to a QuickTime movie.īouncing allows you to play back many more tracks than you can play simultaneously on your system by mixing them down to a single track (or stereo track pair). Original tracks are preserved, and new audio files created during bouncing can be saved in 8, 16 or 24-bit resolution. Also, here are the help topics of BTD in DP.īounce to Disk does exactly as its name implies: it bounces multiple audio tracks down to a single sound file or stereo pair of sound files. Is your version of DP the most up-to-date? Have you tried to do a test track maybe? Open a new session with one track and do a BTD and see what you get. Seriously, this writer is the first to decry Hollywood’s obsession with slathering on the old-age makeup instead of hiring an age-appropriate performer, but Colman is devouring the batshit-but-beautiful Havisham look.Hum. Colman, the antidote to the industry’s plague of populating period pieces with performers who have faces that know what iPhones are, is in full tattered, musty glory as the powdered housemistress. First announced back in 2020, the project appears to finally be in full swing given a new crop of first-look images from the six-installment series shared today.īased on still shots, FX and BBC are betting on the stylized look and feel of the project as much as its talented cast, led by Olivia Colman as Miss Havisham. From Dakota Johnson’s Netflix Persuasion adaptation to an upcoming Emma Mackey-led biopic of Emily Brönte, the past is the present in Hollywood these days-and an FX/BBC joint limited-series reboot of Charles Dickens’ Great Expectations is the latest example. Maybe it’s the grand collapse of our nation, or a yearning for the epic tales of yesteryear in a world where Harry Styles fan fiction becomes a three-film franchise, but classic literature is back onscreen in a big way. Olivia Colman as Miss Havisham and Fionn Whitehead as Pip in Great Expectations
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